A couple years ago my first book, a romantic suspense titled Not Without Risk, was reviewed by a popular review site. While the review was a good one – don’t get me wrong, I have no complaints – in one of the comments the reviewer said she preferred more ‘whodunit’ in her romantic suspense. Then a couple months ago my second book, a contemporary romance with a very minor element of suspense, was called a ‘mystery’ in a review. This comment did bother me because if you picked up the story based on the fact the reviewer called it a mystery, you would be disappointed, as After Midnight is most definitely NOT a mystery.
If you’ve read the ‘Meet Sarah’ section of this blog you’ll see that I don’t write romantic suspense exclusively. However, I can’t seem to write contemporary romance without adding at least some element of suspense, no matter how small. What I don’t write is romantic mystery.
Wait, you ask, there’s a difference between romantic mystery and romantic suspense? I’m glad you asked.
A lot of readers (and authors) look at romantic mystery and romantic suspense as being interchangeable. However, there’s a big difference between the two. At its simplest, a mystery is a puzzle that needs to be solved – an intellectual game of whodunit. In a mystery, the action is more mental than physical, and although there is danger, it usually – though not always – has already taken place before the book opens. But to me the biggest difference is that in a romantic mystery the hero or heroine is the ‘sleuth’, so the story is about what happens to someone else, not the main character, and how the main character solves the puzzle.
Suspense is about a threat or imminent danger that must be resolved. Something is coming and the reader is waiting for it to happen. The suspense story is typically about what happens to the main character and brings the question, will they survive? The action is an emotional roller coaster and the reader should identify with the hero or heroine and the danger they face – becoming a participant in the ride. A suspense story is about the characters’ journey through the book, and the ending therefore needs to be emotionally satisfying, where a mystery is to be intellectually satisfying.
Since I’m talking about ‘romantic’ mystery and suspense – there will always be an emotionally satisfying ending to the romance in both the mystery and suspense. Without it, the story wouldn’t be a romance. However, the solution to the puzzle needs to be an intellectual one. That means that in a romantic mystery, it is the writer’s job to keep the identity of the villain from the reader until the end. But for the emotional read, the suspense, it is okay for the reader to know the identity of the villain. After all, the threat from an unknown is not as emotionally engaging as the threat from someone you (or the hero/heroine) know(s).
There is some crossover in the genres as a lot of today’s mysteries contain suspense. Perhaps this is where a lot of the confusion stems. I’m really not sure. Some believe the labels don’t matter, that if you are familiar with an author’s work you know what to expect. However if you’re trying to sell a book, or attract new readers, I believe the label matters. And so this is me, tossing around labels…My name is Sarah Grimm, and I write romantic suspense.
If you’ve read the ‘Meet Sarah’ section of this blog you’ll see that I don’t write romantic suspense exclusively. However, I can’t seem to write contemporary romance without adding at least some element of suspense, no matter how small. What I don’t write is romantic mystery. Wait, you ask, there’s a difference between romantic mystery and romantic suspense? I’m glad you asked.
A lot of readers (and authors) look at romantic mystery and romantic suspense as being interchangeable. However, there’s a big difference between the two. At its simplest, a mystery is a puzzle that needs to be solved – an intellectual game of whodunit. In a mystery, the action is more mental than physical, and although there is danger, it usually – though not always – has already taken place before the book opens. But to me the biggest difference is that in a romantic mystery the hero or heroine is the ‘sleuth’, so the story is about what happens to someone else, not the main character, and how the main character solves the puzzle.
Suspense is about a threat or imminent danger that must be resolved. Something is coming and the reader is waiting for it to happen. The suspense story is typically about what happens to the main character and brings the question, will they survive? The action is an emotional roller coaster and the reader should identify with the hero or heroine and the danger they face – becoming a participant in the ride. A suspense story is about the characters’ journey through the book, and the ending therefore needs to be emotionally satisfying, where a mystery is to be intellectually satisfying.Since I’m talking about ‘romantic’ mystery and suspense – there will always be an emotionally satisfying ending to the romance in both the mystery and suspense. Without it, the story wouldn’t be a romance. However, the solution to the puzzle needs to be an intellectual one. That means that in a romantic mystery, it is the writer’s job to keep the identity of the villain from the reader until the end. But for the emotional read, the suspense, it is okay for the reader to know the identity of the villain. After all, the threat from an unknown is not as emotionally engaging as the threat from someone you (or the hero/heroine) know(s).
There is some crossover in the genres as a lot of today’s mysteries contain suspense. Perhaps this is where a lot of the confusion stems. I’m really not sure. Some believe the labels don’t matter, that if you are familiar with an author’s work you know what to expect. However if you’re trying to sell a book, or attract new readers, I believe the label matters. And so this is me, tossing around labels…My name is Sarah Grimm, and I write romantic suspense.
