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Showing posts with label Velda Brotherton. Show all posts
Showing posts with label Velda Brotherton. Show all posts

March 27, 2012

Welcome Guest Blogger Velda Brotherton

Researching our historical books on the Internet is time consuming, but often fruitful. Simply Googling our subject, then checking out the sites will reveal much information. Some of it untrue. So beware. Imagine if you were reading an historical novel where the author had only checked one source, possibly not a reliable one, then wrote his entire book around that premise. There are articles online where the author has done just that. So my first step is to check the authority of the sites. Are they published by a historical society, or perhaps have all the facts vetted by historians like the Arkansas Encyclopedia online. I've written several articles for this encyclopedia that were then vetted by not one but two or three authorities on the subject. State historical sites are mostly reliable. Careful checking of anything that sounds a bit off is a good idea, though.

A friend and local historian once told me that it is nearly impossible to get all our historical facts right, simply because of the passage of time and the loss of much information. But we can do our best. It's important to check to see that our sources didn't all use the same basic source.

Here are some notes I found that never found a place in the book. "Ponies feed on cottonwood bark. Indians cut the white branches into four foot pieces and throw them to the ponies. They place one forefoot on the limb in the same manner as a dog secures a bone and gnaw the bark from it."

"Buffalo grass grows on the uplands, thick rich grass grows on the plains but only around streams. Buffalo grass blades reach a growth of from three to five inches but instead of being straight it assumes a curled or waving shape. When walked on it is like walking on thick moss."

The enjoyment of research comes in the little known facts we unearth, but each one still should be verified. There are times when we can trust our source. That was true for me when I began researching for Stone Heart's Woman. Mari Sandoz, a well known and much respected historian and writer, wrote a little book called Cheyenne Autumn. Published in 1953 by the University of Nebraska Press, the book includes information she gathered by interviewing some of the Northern Cheyenne survivors. A few requested anonymity, but her notes do include original source material which she used to support the stories. This book became my main source, but I did check many unusual facts I wanted to use. I researched other facets of real characters I wanted to include, especially George Armstrong Custer, Dull Knife and Little Wolf, and Libby Custer's role.

In addition, and we can't always do this, we drove the route the Northern Cheyenne took from the Indian Territory (Oklahoma) to Ft. Robinson, stopping at Camp Supply and a few museums along the way. I find it helps in my writing to walk the land where my characters walked so long ago.

In my research I found so many tidbits of history that I didn't use in the book. Here are a few of these "little" facts that didn't make it into Stone Heart's Woman. This is the story that convinced me to write the book. I have paraphrased some of the information to shorten it:

Morning Star, or Dull Knife, as he was known to the white man, was regarded by the authorities as a dangerous man, and with his depleted band was taken to the Indian Territory without his consent in 1876. When his people began to die on the reservation, he called them together. Every man and woman declared that they would rather die in their own country than stay there longer, and they resolved to flee to their northern homes.

From the Indian Territory to Dakota was 1500 miles through settled country. The army would pursue them and no doubt kill some. No sooner had they started than the telegraph wires sang one song: "The panther of the Cheyennes is at large. Not a child or a woman in Kansas or Nebraska is safe."

After six months his weary and starving people were surrounded by the army and taken to Fort Robinson in the Dakotas (now Nebraska). There the men were put in prison, and their wives guarded in camp. They were allowed to visit their men on certain days. Many of them had lost everything; there were but a few who had even one child left. They were heartbroken and broken in spirit.

The book begins at this point with the final battle when they make one last attempt at freedom.

Dull Knife's people had earlier separated from a small group led by Little Wolf who managed to avoid the imprisonment and reach their home.

When I gathered information on this flight, I found one post online that claimed Dull Knife and all his people perished in the battle at Ft. Robinson. This is not true according to reliable sources. Dull Knife and his people were finally allowed to go to the Pine Ridge Agency. Dull Knife was allowed to go home to Montana's Rosebud Valley where he was born. He died there in 1883 at the age of 73.

After the last outbreak at Fort Robinson when so many Cheyenne were killed, public sympathy turned in favor of those who survived. They were sent to live on the Pine Ridge Agency with the Lakota Sioux until 1884 when President Chester Alan Arthur granted them a reservation along Montana's Tongue River by executive order. Those killed in Nebraska remained in a mass grave, some of their skulls removed by army surgeons and sent East for study.

Almost 115 years later some of the people finally went home to rest. They were sent to Montana in 18 boxes containing their skulls, released after long negotiation by museums such as the Smithsonian Institution in Washington, D.C.

Should readers wonder where I came up with the idea that Custer fathered children with Northern Cheyenne women. The Cheyenne spoke often of a yellow haired son named Yellow Swallow and a girl child fathered by Custer. He never admitted to that, and his wife Libby, who spent her lifetime trying to save his reputation, denied them all. Custer wrote in his book that Mo-nah-se-tah – The young grass that shoots in the spring,-- was a daughter of a chief high in rank by the name of Little Rock. She never liked her husband who had purchased her for 11 ponies. She shot him in the knee, crippling him for life, then accompanied two other Indian women and went with Custer while he visited hostile tribes. She remained with the troops, imprisoned but not under guard, until the incident at Fort Hays when she returned to the Cheyenne.

Custer never mentioned in his book that she became the mother of his son Yellow Swallow, a sickly boy with golden hair, who was about nine when the breakout occurred. His existence is told in many stories by the whites and the Cheyenne, who also tell of a girl child fathered by Yellow Hair (the Cheyenne name for Custer). Mari Sandoz wrote in Cheyenne Autumn: "Then there was a light-haired boy called Yellow Swallow, the Cheyenne son of General Custer." He is referred to again in several places.

After reading this I asked myself: Could another Cheyenne woman have born him a son much earlier? To fit my timeline he would have been 18. At that time he traveled each summer to Ohio from West Point to spend time with his family.

The possibility is there, and that child became my hero Stone Heart, who is 24 years old, and totally fictional. Torn between two cultures, he chooses the Cheyenne following Custer's massacres of the Sioux and Cheyenne. He pledges to never speak a word of his white father's language.

As for the heroine, she was much easier to research. At the unmarriagable age of 30, she agrees to accompany her fiance from St. Louis into the wild, wild west where he promises to marry her. She is abandoned and left on her own in Benson, Nebraska. It's fairly easy to get her and Stone Heart together in a soddy out on the plains. A blizzard strands them there and they fall in love, but the conflicts have only begun when the soldiers searching for survivors of the battle discover them. Discovering characters and novels hiding within the truth we find in research is a most exciting experience.


Velda Brotherton writes of romance in the old west with an authenticity that makes her many historical characters ring true. A knowledge of the rich history of our country comes through in both her fiction and nonfiction books, as well as in her writing workshops and speaking engagements. She just as easily steps out of the past into contemporary settings to create novels about women with the ability to conquer life’s difficult challenges. Tough heroines, strong and gentle heroes, villains to die for, all live in the pages of her novels and books.

Visit her website: http://www.veldabrotherton.com

Check out Velda's books, including Stone Heart's Woman, here: http://www.tinyurl.com/7dr9mbn

May 2, 2011

Welcome Guest Blogger Velda Brotherton


Thanks so much Sarah, for inviting me to host a blog here today. Since I've been working for the past few weeks on editing, formatting and uploading short stories to Smashwords for publication on all e-book readers, I thought maybe that would be a good subject to write about.

So here goes: Please remember that I'm not an expert, either with a computer or formatting and certainly not on Smashwords. I'm a pretty good editor, since that's what I did for ten years with a local newspaper. Being city editor of a weekly newspaper isn't exactly the big league, but it taught me a lot about catching mistakes, even in my own work. This brings up an important point. If you are publishing previously unpublished work, that is it hasn't been professionally edited, get that done. You don't want to present work that needs editing.

For everyone interested in becoming a publisher of e-books, there are certain steps that have to be taken. First you should decide where you want your stories published. I opted for all e-book readers, which means there's only one place to go to make that easty, and that's Smashwords. This program will take your upload, grind it up (they call it the meat grinder) and spit out a version for each and every reader. But only if you give it the proper format.

You can publish directly to Kindle, Nook or a number of other e-readers, but this calls for a separate formatting and uploading process for each one. Smashwords is free going in and they take a very small percentage of sales. However, I am considering publishing only to Kindle for some of my work which would do well in that market.

The best way to get started is to download Smashwords Free Guide from the website. Like anyone else giving us "dummies" instructions, there's a lot of trivia that we don't need, and some info left out. The first thing I did was mark, copy and paste the actual steps, leaving out all the excess fluff, and make myself a document I could print and place next to my computer. Follow it and you should turn out a usable product.

My first mistake, and I made a few going in, was to presume that a page on my document was a page in the e-reader. It isn't, and they don't explain that. The formatting must continue to flow, ignoring the pages in your document. The proper formatting is simply set up by paragraphing. No more than two or three between pages, or you'll create a blank page on the e-reader.

Every story, article or book uploaded to Smashwords must have a jpg of your cover. You need to make sure it's at least a bit professional. I opted to use Adobe Photoshop Elements 9, but you can use Corel Draw or the paint program on Windows. Photoshop is a difficult program and I kept my first covers simple. Time for showing off later. As if that'll ever happen.

A writer friend, who has published a lot of her backlist books helped me out. (Here's her blog which has tons more information on the process: http://caitlondon.blogspot.com) Her advice: There are two ways to go on this. Learn to do it all yourself and reap all the profits or pay someone to do it for you.

This is a steep learning curve, and there were times when I alternately wanted to torch my computer or tear out my hair. I even thought of hitting the sauce a few times. Poor hubby took the brunt of my frustrations as I plopped down in my recliner at the end of the day and brought him up to date. In the end I succeeded in getting two e-books uploaded, published by Smashwords and in line for publication on all e-readers despite being a dummy where computers are concerned. I priced them at 99-cents. (Here's a link to those stories: http://www.smashwords.com/books/view/54804 and the other number is 56441 at the end of the link)

Once you have gotten this far, you want to be sure to check your finished product. This is important. Download two programs to your computer: Kindle for PC and Adobe Digital Editions, both free. Then when your story or book is published online, you can download it to each of these to make sure it looks the way you want it to on these most important readers. Readers who want to read your books and don't have an e-reader, can download one of these programs to their computer and then read them there.

Next step, and one I haven't really begun yet is promotion. Everyone in this business agrees that promotion takes 60% of your effort if you want to do well in this market. It's important to have a good story and easy-to-read formatting, but if you can't get anyone to read it, none of it matters much. So I figure it's time to begin to collect promotional information. It's easy to publish promo information to your Facebook profile and to your blog, so I've started there.

Here's a few sites which I haven't investigated yet, so I can't vouch for how much good they'll do. Check them out for yourself.



It's also wise to check out the blogs of some writers who have experienced a lot of success with e-books like J.A. Konrath; Amanda Hocking; Cait London. And if you'd like check out my blog on which I've been publishing my experiences with e-book publishing for the past few weeks, you can find it HERE. There's a lot more helpful information there.

Also, here's my website: http://www.veldabrotherton.com